Thirteen days early, I present to you my picks for the best films of the decade. Some notes before we start:
• Uncut Gems, Little Women, A Hidden Life or Star Wars IX could conceivably make the cut, but they get snubbed for releasing in the final week of the decade.
• I haven’t seen everything, obviously, so I can only pull from the 273 feature-length films of the 2010’s I have seen.
• Zero of these films are family-friendly. Do not watch them with kids. (Honorable Mention Faces Places would be the sole exception).
• I also include info on how to rent/buy/stream each film.
Honorable Mentions: Faces Places (2017), We the Animals (2018), The Master (2012) Three Billboards Outside Ebbing, Missouri (2017), Arrival (2016), Mad Max: Fury Road (2014), The Favourite (2018).
10. Moonlight (2016)
Barry Jenkins directs this adaptation of Tarell Alvin McCraney’s autobiographical play “In Moonlight Black Boys Look Blue.” The film explores the life of Chiron Harris, a gay black man raised in poverty in Miami. Moonlight depicts his coming-of-age with an abusive family, his sexuality, and his struggle to find belonging in the black community. Alex Hibbert, Ashton Sanders, and Trevante Rhodes portray Chiron as a child, teen, and adult, each performance flawless. Moonlight is a film of pure visual poetry, always showing, never telling, never pausing to explain or justify itself. The simple beauty of the film is in its visual style and its narrow focus on one highly intersectional experience. It won Best Picture after the famous La La Land gaffe, as well as winning Best Adapted Screenplay and the Golden Globe for Best Picture – Drama.
Available on: Netflix (subscription), Amazon Prime ($2.99), or YouTube ($0.99).
9. Leviathan (2014)
Directed by Andrey Zvyagintsev, this Russian film follows a man’s eviction from his home, divorce from his wife, and battle with the town’s corrupt mayor, all at once. Leviathan doubles as a cipher for the Biblical character Job, and the everyman of Putin’s Russia, trying to survive in a system of pure power. One critic writes, Leviathan “deals with some of the most important social issues of contemporary Russia while never becoming an artist’s sermon or a public statement; it is a story of love and tragedy experienced by ordinary people.”
Available on: Youtube ($0.99) and Amazon Prime ($2.99).
8. Lean on Pete (2018)
Andrew Haigh’s latest film follows Charley Thompson (played to perfection by Charlie Plummer) as his already decrepit life completely falls apart. He has nothing but a trusty horse named Pete. Charley’s journey interacts with issues of fatherlessness, teen homelessness, and life in “flyover country” America. Haigh’s visual style is perfect for this coming-of-age character study, which he filmed with maximum compassion and humanism. To be honest, I may be the only person putting Lean on Pete in my best of the decade list, half because it connected with me in a unique way and half because it went criminally under the radar. Critic Austin Dale listed it his favorite of last year, calling it “both the most American film of the year and the year’s toughest sell.”
Available on: Amazon Prime (subscription) and YouTube ($0.99).
7. 12 Years a Slave (2013)
Based on the pre-civil war slave memoir of the same name, 12 Years a Slave follows Solomon Northup’s kidnapping into slavery and years of toil on the plantation. Steve McQueen directs a rockstar cast: Chiwetel Ejiofor, Michael Fassbender, Luita Nyong’o, Benedict Cumberbatch, Paul Dano, and even Brad Pitt for a moment. Guys, this movie is so brutal. Don’t watch it lightly. It is jarring and should make you very, very angry. It also withstood historical scrutiny better than most period pieces: Emily West, a historian who specializes in this period, commented that she had “never seen a film represent slavery so accurately.” Which is to say, so horrifically.
Available on: YouTube ($0.99), iTunes ($3.99) and Amazon ($3.99).
6. Boyhood (2014)
Filmed scene-by-scene over 14 years with the same child actor as he grew into adulthood, Boyhood is Richard Linklater’s masterpiece. The plot structure is unique: per Wikipedia, Boyhood “began without a completed script, with only basic plot points and the ending written initially. Linklater developed the script throughout production, writing the next year’s portion of the film after rewatching the previous year’s footage. He incorporated changes he saw in each actor into the script, while also allowing all major actors to participate in the writing process by incorporating their life experiences into their characters’ stories.” What emerged from this process resembles life itself, with its ongoing aimlessness punctuated by briefly meaningful moments. Boyhood is the ultimate coming-of-age movie. I am not convinced that a better one could be conceived even in theory.
Available on: Amazon Prime ($2.99) or The Criterion Channel (subscription).
5. Parasite (2019)
How do you make a movie twice as good as that year’s second place? Bong Joon-ho knows, apparently, and everyone else has been put to shame as Parasite enjoys its perch atop the Letterboxd Top 250 films list. Literally, it sits at the #1 highest rated film of all time, above both Godfathers. The film follows a poor Korean family as they… fold pizza boxes. (Hahahahahahaha). That is all I was told going into the movie, and honestly, the less you know, the better. Likely winner of this year’s Best Picture and Best Foreign Language Film.
Available on: there is currently no legal way to view Parasite. It will release on Amazon Prime on January 14, 2020 for $14.99. Around the same time it will probably also reappear in theaters as Oscars season heats up.
4. First Reformed (2018)
Ethan Hawke stars in this instant-classic as a country pastor in a dwindling congregation. First Reformed offers a provocative commentary on the relationship between capitalism and religion, a commentary as enlightening as it is horrifying, mystifying, and electric. The ending is intentionally incomprehensible. It doesn’t make any sense and it isn’t supposed to make any sense. I have come to love viewing this movie against its precursors (Wise Blood, Winter Light, and Diary of a Country Priest), because Schrader is not generating his own narrative as much as he is parodying and inverting these existing narratives into something new. In that sense, First Reformed is at once completely unoriginal, and highly, highly original. You probably won’t like it, but First Reformed plays like lightning.
Available on: Amazon Prime (subscription) and YouTube ($0.99).
3. A Separation (2011)
This Iranian drama won a billion awards including Best Foreign Language Film and a nomination for Best Original Screenplay (rare for a non-English movie). Its subjects, a married couple seeking divorce and the husband’s senile father, become enmeshed in a web of spin and half-truths that by the end create a disaster threatening to ruin lives. The dialogue comes fast and heavy and disorients your sense of objectivity. I recommend you drink a full cup of coffee before pressing play.
Available on: Netflix (subscription), Amazon Prime ($2.99) and YouTube ($0.99).
2. Burning (2018)
An erotic philosophical thriller, and perhaps the only film to receive all three of those adjectives, Burning was my #1 of last year — by far. Set in South Korea and following a devolving love triangle between the protagonist (Yoo Ah-in), the antagonist (Steven Yeun) and the girl (Jun Jong-seo), the film slowly descends into a purgatory of confusion and disbelief before pivoting and diving into absolute hellfire. Burning explores male sexuality in an honor-shame culture, leading to a very different analysis than Western audiences would expect. It also threatens to destroy you, the viewer. When the film finished I sat immobilized in raw shock for what felt like an hour. I have never seen anything like Burning.
Available on: Netflix (subscription), YouTube ($0.99), and Amazon Prime ($2.99).
1. The Tree of Life (2011)
“Is it hyperbole,” asks my friend and fellow reviewer Travis Kyker, “to call this cinema’s Sistine Chapel?” No, Travis. No it is not. The Tree of Life is the Magnum Opus not only of Terrence Malick’s career but also of Christian filmmaking in general. The non-linearity, the abstract plot structure, the twenty un-interrupted minutes of footage of life’s evolution on Earth, this one’s got ’em all, baby. Understanding The Tree of Life on first watch is as likely as understanding the Bible on first read, or maybe less likely. It is a film so simple in structure and execution that it ends up meaning everything. What makes The Tree of Life so unique, in addition to the plot, cinematography, acting, scripting, pacing, special fx, framing, themes, and overall concept, is that this movie emanates from the heart of Malick’s own religious experience. Nobody else could have directed this film, for the technical reasons above but also because it would never mean anything coming from someone else. This film exists in the narrow space between impressionism and expressionism: Malick expressing himself in a way that only impress its meaning upon the viewer insofar as the viewer already shares Malick’s expression in themselves. The Tree of Life speaks a double code language, indecipherable to those outside the world of art cinema, but more importantly, indecipherable to those outside the transcendent religious experience Malick explores.
Available on: Hulu (but only with Cinemax add-on for $9.99/month), Amazon Prime ($3.99), or YouTube ($3.99).
Thanks for reading. I will be posting my Best of 2019 list soon.