I have enjoyed reading Charles Malcolm Wingard’s book Help for the New Pastor over the past week. This book was part of the selection for Together for the Gospel earlier this year. I probably wouldn’t have bought it otherwise, but thankfully it has landed in my hands. Some of it won’t apply until I graduate in a few years (e.g. how to conduct funerals), but Wingard is full of the wisdom that comes from years and years of experience. Again, I’m thankful to have been given this book.
Something worth sharing: his thoughts on selecting hymns and songs for corporate worship.
The best hymns take their cues from the psalms. As they are sung, believers adore God’s character, praise him for his works of creation and redemption, express trust in the finished work of Christ, consider the sobering distinction between the righteous and the wicked, and exhort one another to covenant faithfulness in the midst of struggles, fears, and doubts.
Apart from its fidelity to Scripture, the most important requirement for a hymn is that the congregation be able to sing it with confidence. During your first year at a new church, work with your accompanist or music director to determine which hymns your congregation knows and sings well. This is especially important in smaller congregations. When numbers are small and your people can’t sing the chosen hymns, a musical train wreck leaves everyone discouraged.
One new hymn every two months is plenty. When introducing new hymn tunes, have the accompanist or musicians play through an entire stanza once, so that people can hear the tune. If you have a choir or band, let it sing or play the hymn the previous week as an introit or offertory, and then sing or play the first stanza on the Sunday the hymn is introduced. The congregation can listen and then join in singing the first stanza again, followed by the remainder of the hymn. With a little forethought, you can help your congregation sing confidently.
Even if your congregation is comfortable with only a small number of hymns, you are in good shape. You can work to build its repertoire over time. If you think a song would enrich your congregation’s worship, but they don’t know the tune, substitute a well-known tune in the same meter. If you don’t know what a hymn’s meter is, ask your accompanist to explain. (54-55)
What a refreshing perspective. So much of contemporary worship thought is focused on the performance quality, instrumental variety, the display of emotion from the stage… but Wingard seems laser-focused on the congregation’s ability to sing. I would add to his advice that most syncopated rhythms are going to be unsingable for most people. And worse, too, if they have thirds, forths, fifths, or my goodness, sixths intervals throughout. Most singable tunes have most intervals as steps; it just works.
I love his point that the best songs in worship take their cues from the Psalms. This is why I love Jonathan Ogden’s work. And the solo projects that John Foreman did… ten years ago??? They have enriched my walk with Christ by reminding me of the psalms He would have so often read and prayed through.
A final thought: if the point of worship music is congregational singing, then it would not make sense to have a super loud band. (It also does not make sense to have carpeted floors, or hall-arranged sanctuaries, or synth noise).